1. Observation — “What’s really going on here?”
A scientist looks at data; a songwriter looks at life.
You notice patterns — people lying to themselves, love that doesn’t last, small-town ghosts that won’t leave. That’s your “data.” The more closely you observe without judgment, the more truth you find.
A line like “Let it kill you” is pure observation turned poetic — a truth about desire, risk, and surrender distilled down to a phrase.
🔬 2. Hypothesis — “What if I said it this way?”
Scientists build theories; songwriters build angles. You might ask:
What if heartbreak sounds like freedom?
What if the villain thinks he’s the hero?
What if I tell it backward, from the grave?
That’s your experiment. You’re testing tone, metaphor, rhythm. A lab coat made of denim.
⚗️ 3. Experiment — “Run the take”
In the lab, they test formulas; in the studio, you test feelings.
Each line, each chord, is a variable. The experiment works when you get that reaction in the gut — the chemical rush that says, there it is.
Your producer’s gear is just instrumentation for measuring truth.
🔥 4. Discovery — “It works”
When a song hits — when you can’t change a word without breaking the spell — that’s discovery.
Scientists call it replicable results. Songwriters call it goosebumps.

"Critics are like toothpicks , Disposable ".
"Jealousy is the mother of invention"
"Counting Time Will kill You "
" Dogs know you better than you know yourself "
" If I told you once I told you twice . I didn't like what you said the first time.