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RT .23
by bennash - 05/17/26 03:00 PM
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Joined: Mar 2002
Posts: 146
Serious Contributor
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OP
Serious Contributor
Joined: Mar 2002
Posts: 146 |
Hi Dominique, are you guys looking for tracks, or songs?
I have some 50's stuff with not a lot of recording polish, but they are solid songs.
I'm guessing it's about the recordings right? They do need to be on the "polished" side. All the songs are heard prominently through out the film. Even the background music at the various house parties are played prominently and then lowered to a background level. That's really important to know and understand... stuff used quietly in the background have far more leeway than any song starting at full or near full levels then faded. Did you mention that in the submission process? Just curious as we need to teach folks what level of quality might work for various opportunities. I've heard some shockingly poor quality pieces licensed for indie film for quiet background spots. Brian, It is an important bit of information to know. However, I didn't not make that distinction in the original posting because even the background cues are played at high levels and lower levels throughout the scene. It would not work if the song was not "polished" as the quality would have been obvious at all of the higher levels and even when they are not at the highest levels. For example, Cue #11, "Tighten Up," It starts off at a high level and continues until the dialogue starts and the levels are dropped to make it appear as just background music. Then there's few seconds of no dialogue and the levels are raised to about half of the highest level. Then we cut to the kitchen and the level is at its lowest with some echo/reverb effect added to give the impression that the music is coming from another room. Then as the scene ends the levels are raised just a bit. This one had to be well polished. The only song that is never at a high level is Cue #24, "Dreamt," and that cue has been closed to submissions almost since the beginning. It is totally a low volume level cue. I had a scene in a past film where we were looking specifically for songs that were not fully produced, i.e., scratch demos, because it was supposed to sound like the kids in the band in the garage where playing the song. The demo sounding songs that came in were still of pretty good quality but not that mastered sound. There are times when these unpolished tracks are necessary.
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