Congrats Tom!

I think licensing is the way to go with those songs that'll never make the charts (or maybe they will because of the exposure from licensing..).

We can't just sit around and wait for those Nashville cut's that's getting fewer and fewer, so licensing strike me as a good opportunity meanwhile.

And when you've got 100 songs or more in the libraries that frequently are getting into media, it'll be worthwhile, so that can actually free you up to write the hits in the long run, I think.

BTW - what kind of agreement with Tim and the demo musicians did you make, to be able to contract the songs to a library?