In several session-player (read: Union) circles in L.A., using a capo on a guitar is akin to entering a bicycle race with training wheels still on - UNLESS it's for a specific effect such as mimicking a lute or mandolin. You sure don't see it on electric guitars here.

You will see capos in all the coffee house/folk/alternative places, though.

Bob seems to have it right. Horn players like the flat keys because they're easier to read and play. Guitarists like the sharp keys because they can use more open strings.

On another note (ha!), there have also been studies done that seem to indicate that certain keys have a tendency to set or conjure up (or something) certain moods or feelings in people. I can't remember any scientific basis for it, but I remember the keys of G and D being "happier" than, for instance, the key of Bb or A. Don't ask me why.

Ah, Brent Mason...I have his "Hot Wired" CD. I think he also plays guitar on about 15 of the 20 tracks on the Brooks & Dunn "Greatest Hits" CD. What a monster player!

...not that Albert Lee is any kind of slouch - it reminds me about a story Vince Gill told about his stint following Albert Lee in Rosanne Cash's band years ago - or you may already know it.



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Larry
www.audibleresponse.com