I'm with you Mike.
When I got the keyboard after plunking around on guitar to little avail for many years I spent a lot of time finding my way around it. Much like I did with guitar.
Every now and then I would hit something that sounded good to me and when I looked up what I was actualy playing, it was suposed to be all wrong. Sure sounded nice to me though so I keep oj playing it.
Now I am sort of figuring if it sounds right it is right.
One of the first things I came acros was playing a third inversion E minor BEG, I hit the C# note and it sounded real pretty.
And I found C#m7-5.
I often use this now but I also found it also sondred nice to open with a C3m7 and then an E minor, sometimes slipping in a quick C# note to D before warbeling twix the D and B notes to end the phrase.
Works nice to my ear in slow bluesey stuff.
I guess the ear of the befolder is what is most important.
Thanks Mike. How's our songs doing?
Graham

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