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The 9.1 cents is divided into two parts: The writer's share and the publisher's share. If the song has one writer who has not assigned the publishing to another entity, the writer is said to have 200% of the mechanicals (100% of the writer's share and 100% of the publisher's share.)


I really do think you are confusing the compulsory mechanical license with public performance royalties. Can you explain to me where you're getting this information from? I have a degree in music business, I'm a full time composer/artist and I've never heard anybody talking about compulsory mechanical royalties in the context of "writer's share" "publisher's share" "200%" etc. That's how public performance royalties work, not mech. royalties...

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