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Tin Lung
by Gary E. Andrews - 08/27/26 04:12 PM
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TV Drama
by Gary E. Andrews - 08/26/26 03:19 PM
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TV Drama
by Raymond Byabazaire - 08/26/26 12:29 AM
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Wendy Woo
by Gary E. Andrews - 08/22/26 12:36 AM
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John Eddy
by Gary E. Andrews - 08/21/26 03:25 PM
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Joined: Jun 2005
Posts: 1,384
Serious Contributor
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Serious Contributor
Joined: Jun 2005
Posts: 1,384 |
Great Topic!
I looked at sound more than if I bounced off of fiths. I used to like taking dark riffed notes of a bass sound and go thourgh a recording, adding layered synths and sometimes guitar around it. Mainly new wave/punk. But there is almost a horn type of feel, a gradual build up from that one bass riff and synth.
Drone is great for building up in a recording.
I have a couple recordings I am currently working on, three part songs doing that. But repitition can sound too jingly. Drone never brings to mind cookie cutting pop. I like these songs to where much is placed around 3 chords and the sonic effects.
Pink Floyd is one of several acts that use a basic riff through a recording and add to it.. Procol Harum seems to have that too with "A Whiter Shade Of Pale". Copped from a Bach piece and unforgettable. Those drums keep that song flowing. Also Traffic's "Low Spark Of High Heeled Boys". Is there such a thing as a drone rythmn? I love that bass, piano, and drum. I would like to do a song in that style without copping it.
I don't know if this is what was meant. I always thought drone meant the same basic riff through a song.
I liked that odd, off key layered bass in Nirvana's "Come As You Are". May not be a band that goes over at this site. But that is the type of bass sound to build upon.
I think I see the drone in the hook that is burned forever in my head.
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