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Welcome to the Just Plain Folks forums! You are currently viewing our forums as a Guest which gives you limited access to most of our discussions and to other features.
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Spiritbox
by Gary E. Andrews - 09/18/26 09:51 PM
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TV Drama
by Bill Draper - 09/18/26 02:22 PM
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Syd
by Gary E. Andrews - 09/17/26 09:40 PM
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Lagoons
by Gary E. Andrews - 09/17/26 01:34 AM
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Söndörgő
by Gary E. Andrews - 09/17/26 12:01 AM
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Bayside
by Gary E. Andrews - 09/16/26 01:51 AM
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Joined: Jun 2005
Posts: 1,384
Serious Contributor
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Serious Contributor
Joined: Jun 2005
Posts: 1,384 |
I recall metal musicians I grew up with doing a lot of power chords and appregrios. Can't finger like that on my beat up sixties guiar. I like to dig into the strings and if I ever consider being a performing musician, I can fly on these modern guitars from building up limber in my fingers, cause' I'm not too coordinated otherwise. But I notice that a lot of these weird, classic rock songs have a lot of diads and triads, fretted slightly off the major scale. I used to like transposing metal songs to my synth and making songs based on that. Kind of made it dark and gothy. Almost strangely harmonious. I did an old gospel folk inspired recording that I came up with from practicing Pink Floyd's Hey You (off their album The Wall). I don't have a 12 string and had to open tune to get the sound that more closely approximated what I was looking for. Not for a professional setting, but I have come up with a lot of weird sounding chords that way.
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"If you are stuck in your musical composing, be unreasonable. Change your environment. If you are stuck in your lyrical efforts, instead of forcing the same old words out, force yourself to do unreasonable things." -Brian Austin Whitney
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