Truman,

Pretty chord, I'm whistling it now. Since you already call it a 4 in G, I'll tackle it with the C in the root.

If you play all the notes at once, I'd call it a Cmaj7add#11. C...root; F#...sharp eleven; G five; B seven (major seven); and E third.

However, I wouldn't be surprised if you play it as an arpeggio, slowly strumming it from bass to treble on the guitar. Then, I'd call it a C major seven with the F# being a passing tone moving to the fifth. The F# is in the key of G and it moves elegantly to the G, the fifth of the Cmaj7 chord.

Any other ideas on this?

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Mike Dunbar Music

You've got to know your limitations. I don't know what your limitations are. I found out what mine were when I was twelve. I found out that there weren't too many limitations, if I did it my way. -Johnny Cash

It's only music.
-niteshift

Mike Dunbar Music