I was referring to the questions in Mike's original topic before everyone went tangent hopping.

Mike asked:

Do you feel any of these aspects are more important? Which of these are your best, or favorite? Do you have trouble with any?

And I wanted to know:

Do you mean this in the context of performing a composition? In composing? In reading and playing notation? In identifying what you hear?
In singing? Playing an instrument?

Or any of the above?

To which Mike answered : Oh for pity's sake, just choose one, will ya?

To which I answered:

Well OK then. [Linked Image]


OK.

The component which challenges me the most is duration. The activity in which it occurs is notation and playing while sight reading.

In sight reading and playing, I am OK with simple rhythmic combinations ,(16th and larger notes whether, tied, dotted or not are not a problem) but I have to slow down and count when it comes to things like complex triplets (when there is a rest within them) dotted thirty second and smaller notes tied to something and so forth. To improve, it's probably just a case of playing them more often. I just don't encounter them too often in my normal work.

To me, it's harder to notate the music than it is to read it. With practice I am getting better and faster but it is a challenge.

JeanB



[This message has been edited by AKA JeanB (edited 07-29-2004).]


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