|
10 members (texritter, Fdemetrio, Kay-lynn Carew, Bill Draper, Sunset Poet, 5 invisible),
59,224
guests, and
5,808
robots. |
|
Key:
Admin,
Global Mod,
Mod
|
|
Welcome to the Just Plain Folks forums! You are currently viewing our forums as a Guest which gives you limited access to most of our discussions and to other features.
By joining our free community you will have access to post and respond to topics, communicate privately with our users (PM), respond to polls, upload content, and access many other features. Registration is fast, simple, and absolutely free; so please join our community today!
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
IRAN
by Fdemetrio - 04/15/26 12:27 PM
|
PETE
by Fdemetrio - 04/14/26 06:57 AM
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Joined: Dec 2008
Posts: 3,845
Top 100 Poster
|
Top 100 Poster
Joined: Dec 2008
Posts: 3,845 |
I agree Everett. But there are always enough musicians that don’t care and will keep them afloat. 35% licensing and no PRO royalties is a hard pill to swallow. Being a member of ASCAP, I’m not even sure about the legalities in signing this new contract. John  Yeah, signing this is not legal if I have registered the track with my PRO (KODA). This business model only seems viable for music that is not registered with a PRO, and even then I'm not sure I'm allowed to do it. But then again, there's also very little incentive to do so. And if your other publishers find out, I suspect it may even compromize your relationships with them.
|
|
|
|
We would like to keep the membership in Just Plain Folks FREE! Your donation helps support the many programs we offer including Road Trips and the Music Awards.
|
|
|
Forums118
Topics128,506
Posts1,183,047
Members21,478
| |
Most Online124,837
Dec 25th, 2025
|
|
|
"Sharing in your success is the payback to those who shared in your failure." -Brian Austin Whitney
|
|
|
|
