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Lot Long
by Gary E. Andrews - 11/10/26 11:20 AM
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Joined: Oct 2002
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Hi guys and ladies,
My Hook Heaven book is a little overcrowded. Maybe something here will spark a lyric for you.
The only thing required for a word or phrase or idea to make it into my Hook Heaven collection is that it elicits some sort of emotion when I see it. If it doesn't give me a little buzz of some kind, it doesn't make the cut. Some hook/title possibilities give me a bigger jolt than others, of course. Writing the lyric later is mostly a matter of finding out why that hook zapped me when I touched it.
About half of these hooks have been given a slight twist from the way I originally encountered them. I will snag one directly, but most often interact with it in some way before jotting it down on a card in my pocket. You've got to have a pencil and a paper handy, or they will flit away like that beautiful butterfly you really wanted to catch for your insect collection--if only your net weren't back at the house.
Only about one in twenty hooks I collect ever actually becomes the title of a lyric. Often I find I'll draw on my hook collection for opening lines, of even other lines in a lyric--not just as hooks. Sometimes it is the collision of more than one hook that will set a lyric off. Hook hunting is always a fruitful exercise creatively, and generally stirs my muse into action without me having to concentrate on actual writing directly. I just hunt hooks and the songs start popping up like mushrooms.
For me, the hook is the seed from which a lyric grows, the central hub around which the rest of the lyric spins, the single most crucial element of the whole. A single hook can result in a variety of lyric treatments, all of them valid. A hook cannot be copyrighted. If another song has become famous using that hook, it is generally not a great idea to do another of your own--which will inevitably point your listeners to the existing work.
Of course, most of you already know these things. Just some reminders for those who are starting out and may be dropping in.
Twist 'em, smooze 'em, transmorgify 'em, use 'em. Then post what you've written. I'd like to take a look at what you see.
Skip
**
Hook Hunter's Heaven (Help Yourself!)
**** Some New Ones Since This Was First Posted...
Red Riding Hood Babes Here in Hungry Wolf Woods Breakheart Bay Wake the Earth Birds of Spring Urban Safari People's Choice The Wonder of Snow Give Me a Sign Scarlet Cord in Her Window
When Your Hands are Dirty (You Shouldn't Wipe Your Eyes)---Rick Maines's suggested hook
If Your Neighbors Complain About the Volume (Turn It Up Until They Move Away)---from a game caption my sons are downstairs playing as I am posting this
If you have some you'd like to include in this thread, post them below, and I'll add them to the general list...
****
*Demolition Derby Angel Love Hungry Kids Soft War: Why We Men are Losing in the Battle Between the Sexes (Take me prisoner! Take me prisoner!) Long Time Gone Why I Am Still a Christian The Gentle Art of Verbal Self-Defense Wounded Healer Thinking Out Loud Perks of Being a Wallflower Any Woman's Blues
Daddy's Home at Last When Someone You Love You're a Cold Cup of Comfort (For a Hot, Thirsty Man) A Town Called Freedom Firefly Summer I Wish Eve's Serpent Were on That Rock (When Moses Struck It With His Staff) Don't Tell Me Anymore *The More I Know (The Worse It Hurts) *We All Take Our Chances (When It Comes to Love) Candle in a Cavern
To a Bent Mind Even a Straight Thing is Crooked When I Am King You Can Have What You See (And I'm Hoping Its Me) We All Ride Naked Into Our Last Sunset A Three-Fold Cord is Not Quickly Broken *For Love of Benjamins Do It Right Making Payroll Bigger Paycheck, Bigger Bills No One to Wipe Away Her Tears
*Leave It to a Lover What Comes Next? When You're Lying in That Long, Dark Hole (With Clods Banging Down on the Lid) The Mirth of the Wicked is Brief Magpie Pie The Road to Success (Is Built by Those Who Take It) Come Out of the Closet (You Don't Need to Hide) Stella's Striking in Stilettos and a Stetson (Any Thing More Would be a Bit Overdressed) *Can't Stop the Rain (Can't Find My Umbrella) Every Other Day I'm Someone New
Swoops and Swerves (Your Graceful Curves) *Her Fragile Strength Beauty Rules A Piece of the Sky Prove Me Wrong Old Hollywood An Enormous Master Bedroom (With Great Windows on Three Sides) Bedroom Genius Twelve Diamond Day Babes in Boyland
*She's Lying Like a Raisin ('Neath the California Sun) Will You Remember Me Silk on the Sidewalk Stealing Beauty Blind *Save Your Spoon for Desert *Wild Honey Under Her Tongue She's Poetry in Commotion Don't Just Look, See You Were Worth The Trip *Love is a Language We All Understand
Summer Island Love Affair Not Taking Risks (Is Risky) *How to Eat Like a Pig (And Never Get Fat) Dr. Stump's Chain Saw Diet (How to Lose Forty Pounds in Six Seconds Flat) *What We Do Now Talking Back Last Stand of the Tin Can Soldiers My Point of View Anybody Out There She's Hot (And I'm Bothered)
Never Let Me Go *If I Had Barbie's Brains Blue Blood Baby Lovers and Losers *Good Taste in Bad Women I'm Not in the Mood for Love Pink Flamenco Moon The Second Honeymoon Didn't Take *The River Knows My Name That Good-Lookin' Lady at the End of the Bar (Is Really Your Cousin Ed in Drag)
Just Ahead Lobster Dock Hot Love to Go Late Start Urology Department, Can You Wait? (Now I'm a) Part of Your Past Catfights Catwalk Candy What I Believe *Pool Boy Blues
*Gotta Have Gretchen King for the Killing *Tramp Trawler Mainly Maine Loved Ones Lost Waiting in the Winner's Circle Yes, Oh Yes! (To Sex) As We Say in the Islands (May your Palm Always Stand Tall and Your Coconuts Never Fall to the Ground) One With the Night Mind Your Own Business
When You're Done Giving God Advice on How to Run the Universe (Share With Him How You Spoke Your Last 20,000 Galaxies Into Existence) *You Don't Love Me Yet Hot Flash Club *Her Other Lover's Chocolate *Play With Me Hint of Mint *Liar's Diary Glass of Red Table for Two *She's One of Those Things (That Happens to Good People) Support Wildlife (Feed a Mosquito)
*Lost at Sea When I'm Good, I'm Very Good (When I'm Bad, I'm Better) Mae West If You Want the Best Seat In the House (Move the Dog) Golfing With God *June Bug Jitters Further Along (Down the Wrong Track) *Big-Bosomed Woman (With an Itty-Bitty Heart) I Take Life With a Grain of Salt (And a Wedge of Lime, and a Shot of Tequila) *She's the Reason I'm Not Coming to Our Wedding Cocaine Cooker's Blues Every Gambler's Dream
Take Me Straight to Jail *So Drunk He Robbed the Cabbie (He Just Paid to Drive Him Home) Run For It I've Never Screwed a Cop Before (Quoth Clueless John) What's in It for Me This Whole Sordid Love Affair (Is a Colossal Waste of Time) *Walking Drunk on the Tracks Out Cold As the Crow Fries *Let Me Down Easy (On These Fine Silk Sheets)
Mrs. God Should Not Have Asked (Who Do You Think You Are?) *Up River Hid My Honey's Money in the Old Oak's Hollow (Then My Uncle Freddy Chopped It Down and Burned It in His Stove) Thirty-Seven Days in February (Why You Should Stay in School Rather Than Drop Out to Sell Dope) *You Might Have Had a Chance With Me Let Sleeping Thieves Lie Hand-Cuffed Wild Honey Feed Me Facts Get In Gotta Go
*Brandie Stuffed It in Her Bra Don't Try to Pull That Gun on Me The Problem With Domestic Violence (Is Who Gets Hit) Shiny Black Shoes (And Pink Lace Panties) *The Day My Dog Barny Took a Bite Out of Crime I'm Very Drunk Good Thinking I Can't Believe It High Speed Chase *Messing With a Mean Man's Daughter
*He Stole Back His Pickup Truck (While We Robbed the Bank) Safer in the Slammer (Than on a New York Street) Men Think of Sex Every 12 Seconds (Okay, Cut That in Half)
Ballad of Tommy Johns of Brisbane, Australia (Arrested 3,000 times for public intoxication, when he finally died and was cremate in 1988 it took them three full weeks to put out the flame--true story, except that last bit...)
Robbing the Collection Plate Save Your Tail Police Escort to My Girlfriend's House (The Late Viagra Run) Smoking Dopes I Gotta Think of Something Strip Search
When You've Been Arrested You for Vending Machine Robberies (Don't Pay Your Bail in Quarters) Citizen's Arrest of Sheriff James T. McCoy Lottery Ticket Fraud (Cheated Herself Out of $5,000 for a $20) Good Clean Gum (Keep on Chewing, Its My Turn) Dance at My Daughter's Wedding Good Luck With My Ex *Can You Love Me Till I'm Whole *Rare African Air Shake Things Up The Shape of a Woman's Heart
Your Table is Ready Places to Go This is Just the Start *Admiring the View (I Have of You) We Will Make It Part of the Plan *She Led Me to Her Peacock Bedroom With a View of the Sea *Look at Me (I Am Beauty) *Losing You (The Best Thing That Never Happened to Me) I Don't Share My Chocolate With Just Anybody
As I See It In My Kitchen (I Bake a Good Laugh) *We Were All Strangers (Till We Met) The Dark Side of Blinding Light No Time at All Not Afraid of Fire *When Claire's Dress Hit the Floor (She Was Hard to Ignore) Never Follow Glam Rock Girl Catching Katie's Curves Through a Moonlit Gown
*Take Me (Right Here on the Washing Machine) So You Red, Hot, and Cool *The Eye Behind the Camera (Never Blinks) Her Heart is Opened for Business Ancient Angels With Stone Eyes Mark of the Master Like a Reptile in the Sun *Taming Wild Orchids Off the Coast of Costa Rica
*Don't Mess With Connie *Chasing Falling Stars So Hot the Hounds Were Fighting for a Piece of the Shade I Lost Most of My Money (So I Stayed to Win Some Back) So Glad to See You
There's Going to Be a Whole Lot of Loving (Going on Here in Fifteen Minutes...If you want to get in on it, you'd better get home quick!)
They Stole My Marijuana, Officer Tell Me Again You're Under Arrest
Teetering on a Toothpick The Dumbest Thing I've Ever Done Looking for a Good Time (Want to Have a Party) No One Smiled, No One Spoke Names Changed (To Protect the Guilty) Red-Headed Woman in the Midnight Laundromat Victim of His Own Crime Mongrel Music (Breeding in the Streets) *Red Barn in a Field of Sunflowers *One Good Cowboy *Old People Full of Stories (Nobody Wants to Hear)
Ten Nights on a Bar Stool (One Night on the Floor) Get a Life *Saddle Tramp Beauty in Beasts High Kickers in Pink Nickers Me and Tanya Tangled *Whirlwind in the Wheat Chaff Cowboy Way of Life Road Runner Leaves Dead Lizards on My Barbed Wire Fence Get the Job Done
Cinnamon Kisses (From Hot-Tongued Misses) *Don't Shoot Anyone in the Back (At More Than Three Paces) Best of Two Worlds *You Can Take Me Home Heaven's Not Far Away You Don't Pay to Get In (But You Will to Get Out) Dancing With Danger (Backwards and in High Heels...and You Should Have Seen What She was Wearing) Long-Necked Weekend I Don't Know Nothing Good Comes of This
Anti-Hero (A Nasty Streak of Blood Lust Justice) *He Only Seems a Good Guy ('Cause the Bad Guys are Much Worse) *Bed Down in Sweet Clover Until Now *Fluff a Cowgirl's Pillow (And He's Liable to Wake Up) Isn't That Nice *He's Hung Up His Guns (Within Easy Reach) She Cured Me of Drink and Wickedness You Can Walk Out of Here (And No One Will Ever Know) Heroes on Horseback
When the Wrong People Win Bucking Trends They Dump Us On Our Heads (And We Land on Our Feet) Rope It *Found Myself in Your Arms Ferris Wheels and Cotton Candy Its Really a Love Story (If You Know How It Ends) Honey Mountain Wine *Fork on the Left (Six Shooter on the Right) Star Treatment
Flying ME Ranch Cowgirls Love Forever (On the Silver Screen) Where Rock and Roll Meets Country Soul Two Valleys Over *I Wish They Were Emeralds Arizona Angels *Now That's Sexy When the Grizzly's Still Wearing His Own Fur Rug (And He Wants to Give You a Kiss and a Hug) Blue-Eyed Bear Rock-n-Star Ranch
Just Up Ahead Next Best Thing (To Being on a Bull) *Barbed Wire, a Six-Shooter, and a Windmill Trackin' and Trailin' Cowbabe Rodeo Natural Beauty Signal Sender *Clod Fights With My Brother Hometown Saturday Night Way Back When
I Knew Her Way Back A Sudden Change of Heart Fast Gun for Hire Bobbie Did *Love by the Dozen (Roses and Kisses) Katie's Candy Sun on Your Face, Wind at Your Back *Swagger, Swear, and Swindle Two Month's Wages in My Pocket (Whisky, Song and Women on My Mind) *Proudly Made in the U.S. of Hong Kong (Very Pleasant You Buy)
*I Want a Guy With Tons of Try Both Parties Have Their Good and Bad Times (Good When They're Out of Power, Bad When They're In) Will Rogers Watching Your Mother-in-Law Driver Over a Cliff (In Your New Cadillac) You Can Shear Them Forever (But Only Skin Them Once) What Led You to Become a Cowboy? (Bad Career Counseling) Chugwater Wind, Wyoming (Chased My Hat Across the Parking Lot) In Memory of Kilgore *I Think a Woman Won It
*Your Brand on My Breeches *Shy as the Virgin Moon
Huston, You've Got a Problem Old-Timey Man Look of the Eagle in His Eye As Good a Friend as I Ever Had *Catchin' Sky A Different Breed of Cowboys (Wham! Bam! Thank You, Sam!) Comic Book Cowboys *What Grabbed My Heart About You Dude Ranch Darlin' *White Hat Rodeo in the Sky
*Hope Can't Do Arithmetic Scarlet Sins Forgiven (Dead Souls Start Living) *Lost Causes (The Only Ones Worth Fighting For) Desperate Days and Darker Nights A Shadow Shows a Light's Shining Somewhere Bumfuzzled, Boofoodled, and Bedazzled *When a Man Believes What He Stands For (Its Hard for Them to Knock Him Down) Crown Jewel of Texas Cowboy in the Kitchen Circle The Wagons
Giant Oaks are Little Nuts (That Took a Humble Place) Snag-a-Man, Snag-Another, Snag One More for My Mother, Snag a Mister for My Sister, Snag His Dad for Aunt Glad... Somebunny Loves You (Ask Mr. Hephner) *I Was Born Beneath a Dancing Star Cow Pie Patty You Can't Reach the Stars (Unless You First Planet) *Loves a Game Two Can Play (And Both Win) *You are My Masterpiece (You are My Music From Heaven) *The Beauty's in the Flame (Not in the Wood That Burns) Precious Planting
*Drop Your Pants (Mama's Got Her Thermometer Again) *Mr. Right, Mr. Right Now Every Blade of Grass Has Its Angel (That Bends Over It and Says, “Grow! Grow!”) Puerto Rican Passion Tobacco Wind Bears, Beavers, and Bison (Oh, My!) Between Here and There *Three Girls on a Horse She's a Fancy High-Kick Dancer (With Her Eye on a Rancher) *I Want to Tell Your Story
*Cowboy Cool *Lit From Within Thirteen Generations Bullfighters and Rodeo Clowns Smell of Sage Perfume *Two Funny Guys (In a Truck With Three Horses) Fish Out of Water Get Up When You Want *Five Minutes Early (And Ready to Go) Ropin' and Ridin'
Her Star's Shining Bright Take Your Best Shot *Rusty Tin Cans on Split Rail Fences Box Office Poison When Mama Steps on the Stage (She Steps Out of Herself) Handy With a Rope My Then-Girlfriend Don't Fault a Man (For Speaking His Mind) Make Ends Meet Lived in My Car for Three Weeks
Dusty Arenas *There's No Such Thing as Too Much Fun Single Mom With Three Kids My Mama Bled to Death Giving Me Birth *Small Things Make Life Huge Our Security System was Called Rover Pretty as a Petticoat Pirate Riding My Balloon Up Wind River
She'll Outlive Us All (The Day We Laid Her in Her Grave) Next to None
In the Crack of a Lobster (In the Toss of a Salad) The Occasional Non-Anorexic Movie Star *She Treats Me Right Roping Days Behind Her Catch This Moment Follow Your Stars in Peace Dancing With Death (Between Diablos' Horns) Bounty Hunter's Bride Gambler's Girlfriend *Rock and Roll Cowgirl
Bag Full of Money (And Somebody's Honey) The Road Goes On Forever (And the Party Never Ends) *That Woman Must be a Saint (To Live With You) Underneath There's Something More Shake Your Thing Lucky to Be Here I Can Hear the Restless Beating of Your Unsettled Heart Stay Strong My Life in Movies When the Shooting is Over (And Real Life Begins)
Running With Rock Royalty Cornflower Canyon Apache Angel Free Climbing Mount Rushmore You Linger in My Memory (After All These Years) *Sugar Glass Windows Grizzly Bear Roundup Wait a Minute (I'll Have Your Answer) Eatin' Crow Pie Coming Off a Rocky Mountain High *Who Needs Rhinestones (When We Have Stars)
(Some of my personal favorites I've marked with *.)
Generally, the hook is also the title of your lyric, and generally it is repeated oftener than the lines around it. If you use your hook well, you should be able to speak or sing your lyric to a listener, then ask them what the name of the song is, and they can tell you. Your hook is the initial advertizing for your song. It should ideally catch the eye and invite investigation as a person is looking down a list of lyric titles.
Here are the basic places the hook is likely to show up in each of the three lyric formats:
1. Verse/Chorus
Most commonly the hook is repeated at least twice in the chorus, and sometimes as the final or first line of the verse. Sometimes it will also be repeated in the tag section ending the piece. Occasionally, the entire chorus will simply be the hook repeated 4 or more times.
2. Verse/Verse/Verse
Here the hook is generally the first or last line of each verse, though occasionally it will be the first and last lines of the entire lyric. Main thing is that it gets more repetition than the other lines of the lyric that surround it, and that as much as possible it is in the spots that are particularly noteworthy to your listener--which are the first and last lines of the lyric and/or the verses.
3. AABA
Here the hook generally is located as the first or last lines of the A sections, and sometimes is repeated as an echo in the Tag section that ends the lyric.
The most crucial positions for a hook in any lyic format are as follows:
a. at the beginning or ending of any section b. at the beginning and/or ending of the lyric as a whole c. repeated more than once within the chorus
Many in the industry claim that the lack of a recognizable hook is the single greatest weakness in the lyrics of new writers. Even for those who are seasoned, the intentional use of the hook is perhaps the single most crucial element in lyric writing, and the most distinguishing mark of this particular specialized form of poetry.
In Nashville a generation back, hooks were considered so essential to writing a song that they were sold as a commodity for $25 apiece. A competent writer who is given a hook should be able to grow a lyric from that seed.
I've considered selecting 50 of the finest hooks I can from my own extensive collection, putting them on a sheet, and having 50 people circle the 5 or 10 titles they would be most interested in hearing. Once that marketing research was completed, I would be in a position to write the most likely to appeal top five lyrics themselves.
Hope you've found something here that can be of value in your own writing. I'd be interested to see what you do with something that sparked you here.
SJ
Last edited by Skip Johnson; 04/30/07 08:37 AM.
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HiDee Generous Rev!
I'll try on "She's Hot (& I'm Bothered)"...it's a Delightful, Plot-Laden Hook, right down Mah Alley!
Many THANKS for Your Generosity, Amigo!
I'll bequeath ya One I've yet to really Make Pallatable-Enough:
Plotline: A Man-of-the-Cloth who Plays Gospel on Karaoke Night. Hook: "Honky-Tonk if You Love Jesus".
Good Luck with it, Amigo...& I Thank Ya Again for my New One!
Big Guy-Hug, Stan
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Skip, thank you. That is a huge pile of ideas. As usual, I'm not going to lay claim to any of 'em--but it's possible any of a bunch of 'em could turn into songs. Jes' cain't never tell.
I did want to mention that when Scott Rose and I wrote "Born Again Barbie," we did quite a bit of talking back and forth about Babs' motivations (since we were writing about a sort of conversion, after all), and decided she actually wasn't a half-bad role model. (We made fun of her anyway, of course.)
Y'finally got spring in Boston? Congratulations.
Joe
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Joe,
You have "Born Again Barbie" where I could get a look/listen? Spring is definately here. This morning, so is the rain. Should make my lawn green. I haven't had to mow it yet this year.
Skip
Last edited by Skip Johnson; 04/27/07 09:27 AM.
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Stan,
I'll be looking to see what you do with it. And thanks for the hook. I'll put it in my collection. There are several in this collection that I'm interested in exploring myself...which is why I snagged them, of course.
Skip
Last edited by Skip Johnson; 04/27/07 09:26 AM.
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Skip, "Born Again Barbie" was on Scott's Soundclick page, and he disappeared about a year ago--don't know what happened. I'd like to get his permission to put the song on my Soundclick page (since we are co-authors), but I haven't reached him. I can e-mail you the *.mp3 file, but if you have dialup it'll take a *long* time to download--the song is a 5-6MB file even as an *.mp3. Or I could snail-mail you a CD. I usually keep a copy in the car, because it is a good driving song.
Keep in mind this is not a religious song, despite Barbie's "conversion"; Babs, we decided, is a thoroughgoing opportunist, very savvy without being awfully smart (literal airhead, after all). She becomes a TV preacher... It was fun to do. Since both of us could play guitar, but with completely different styles and backgrounds, we did the thing Everly Brothers style, with dual leads. I played it (solo) at an open mike at the college, and the preteens in the audience hung on every word.
Let me know. Thanks.
Joe
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Joe,
There are some lady TV preachers who appear to be pretty much as you have characterized Babs. Couldn't get the tops of your toes wet wading through their souls, from all that comes through in their telecasts. Sort of a "Soaps 4 God" approach to marketing religion to the masses. Glad they are out there as a means of reaching the soap opera crowd--and as a cautionary warning about how not to do religion for the rest of us.
I don't have dial up. An mp3 file would work great. My email is: <SkipJohnson777@gmail.com>.
Are you up in Garibaldi, Oregon? That's near Tillamook, isn't it? I think we talked about you living there a while back, as I recall. Had you moved from there since? Judi and I vacationed over there on the coast, if it is the place I'm thinking of, a few summers back.
I'll be looking for that mp3 if you get the chance to send it my way.
Thanks!
Skip
P.S. One of my first solo performances was at a college outdoor music festival as a student. I'd been writing all through high school, but had always pretty much not gotten to play my stuff for the really big musical events of the year. Then I hit college, and suddenly, they were ready to give me a hearing.
The song I auditioned for was called "Samson", and I had to play it in advance for the music department and a few other screeners, among whom was the head of the theology (preacher training) department on campus. I sang my song, which was a racy retelling of the relationship woes of the famous strongman of Bible lore, the judge called Samson, who engaged in a one man border war with the Philistine empire, bedding three of their women in the process, and finally was blinded through his lover, Delilah's, cunning, before pulling the fish god Dagon's temple down on the heads of 3,000 of his enemy. The point of the lyric was for young men to watch themselves carefully in the area where the strongest man who ever lived exhibited his greatest weakness--namely, his sexual hankering over the wrong pretty lady. The last verse went...
So let this be a warning To all you eager lads. Keep your hands in your pockets, And your eyes in your heads. And if you're easily taken in By the way a woman walks, Pray to God He'll blind you now, Before your soul's in hock.
When I'd finished it for the stone-faced music department personel, one muttered something about "raunch and roll". I was pretty sure I was going to get blacklisted again. I believe it was actually the head of the religion department who came to my rescue, however. Dr. Taylor had just told us that in our preaching class that we needed to be sure our introductions were filled "with the realities of the human heart". I might be writing and singing nothing more than "raunch and roll", but it certainly was filled with the realities of the human heart. I saw him grinning.
They let me perform it. I recall looking out onto the grassy area where the guys and girls were sitting festival style in front of the outdoor stage before the bleachers began rising up behind them as I sang. Part way through my song, I saw a guy sitting on a blanket with a girl lean over and whisper something in her ear. I do believe his comment was elicited by the song I was in the midst of performing. The girl rose to her feet, and bodily heaved the offending male off her nice blanket. He had to apologize and beg and make nice before she would let him back on.
So I figured the performance was a success.
College crowds are a fun bunch to work with. Here in Boston, we've got 300 colleges. I'm looking forward to mixing and mingling and doing some storytelling and singing down there shortly.
Thanks for taking a look.
Skip
Last edited by Skip Johnson; 04/27/07 07:11 PM.
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Skip: I read through your hook lists and find many of them funny. So far, though unless an idea appears in my brain first, I can't seem to do much with it.
"No man but a blockhead ever wrote except for money." Johnson.
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Hey, Skip! That's quite a list you've got there! I was just glancing through it and "Liar's Diary" hit my eye ... may grab that one, but haven't really looked at them all yet. Mighty generous of you to share these! Thanks a bunch!
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Lee,
How do they appear in your mind? Dreams? Read 'em off the back of your eyelids? Things you wish you'd thought to say to that nasty man at the gas station, or to your mother-in-law later? Sort of waft up from the primeval mists of your reptile cortex? Come drifting down on angel's dust as heaven's own inspiration? Step out of the general swirl of thoughts, emotions, feelings and symbols and say, "Howdy-doody. Write me."
Lyricists mine their own hearts, minds and memories for their material, regardless of where they get their hooks. We all write with our own blood. That's a given. We are both our most essential resource, and our product. That's why is it impossible to become a better lyricist without also becoming a better person--and visa versa. We are the well we, and others, drink from as writers. Solomon said, "Watch over your heart with all dilligence, for out of it flow the issues of life."
Over the course of years, one learns a great deal about who they are in the process of their writing. Lyricists are some of the most thoroughly rooted in their sense of self folks you're ever likely to meet as a result. I'm always interested in the creative process, and you've begun to describe your own. It seems endlessly varied according to who we are as individuals. It is, in the end, our own unique slant on seeing the world that makes what we have to offer of any value. The most personal is the most universal.
Ritt, my dear friend from the Bronx, is an entirely unique voice as a lyricist. He never looks anywhere except into that amazing jungle of images floating around inside of him for his hooks or song ideas. He is always unique, and sometimes brilliant. I've never seen a single hook he has ever used anywhere else. Others, like myself, keep one eye looking out and the other looking in. What is your approach?
Keep writing, whatever it is.
Skip
Last edited by Skip Johnson; 04/27/07 08:03 PM.
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Mary Lou,
Give it a go. Clip the whole list and paste them into your own Hook Hunter's Heaven folder. Add more of your own. A gallary like that is a great place to wander around in when your muse is playing hooky.
Keep writing.
Skip
Last edited by Skip Johnson; 04/27/07 08:06 PM.
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Skip: Often it is something I say in conversation that comes back to mind later. I play around, fiddle with it, and eventually get a first verse and a chorus. The rest of the lyric usually shows up anywhere from a couple of hours, to a day or two later. The lyric then gets fiddled with some more over a couple of weeks, or a month. By then I am often working on two or three more. (Or I used to be. Things have slowed down recently).
Sometimes a hook, or a chorus, just shows up and I can't place what started the idea.
A lyric I wrote last year arrived after I started thinking about a piece of highway I used to drive on my way up home from a city downstate.
"No man but a blockhead ever wrote except for money." Johnson.
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Alrighty Skip..... I've copied & pasted to have for future reference, but off the bat....I'm gonna lay claim to "That Woman Must be a Saint (To Live With You)" I think I can do that one justice...lol...I can think of someone who would be good inspiration. I'm divorced ya know.  Thanks soooo much for sharing these!!! Mighty kind of ya.  Bree
The ideal poet has a genius for making the things we see every day seem new. ~ Samuel Johnson I write because I breathe, I breathe because I write. ~ Me www.soundclick.com/breeg
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Hi Skip,
Small world isn't it. Great minds think alike. I actually already had written a chorus that is almost identical to one of your hooks. Your hook is "Heaven's Not That Far Away". My chorus is
(c)2007 Lynn Orloff
Heaven's not that far, When your in my arms, When I look into your eyes, It's then I realize, That Heaven's not too far away at all.
Hey but thank you for the list, I'll have to scan it from time to time if the song fairy doesn't visit me. Thanks.
Best, Lynn
Last edited by Lynn Orloff; 04/29/07 12:07 AM.
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Lynn,
There is nothing new under the sun. Post the whole lyric. I'd like to see it.
Skip
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Lee,
With me, the conversation turns of phrase that generally strike me as hook worthy are spoken by my wife. One day I was hankering after trying out those chainsaw motor propellered ultra light airplanes. Judi sniffed and said, "Dr. Kevorkian's Flying Machines..." Great hook!
Do you write your hooks down as you think of them? I would recommend that. Otherwise, they disappear back into the thin air they came from.
Skip
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Bree,
Sounds like you've picked a good one. I'll be looking for it, dripping with real life juices. My oldest son is divorced, too. Most folks get married and fly off together to Hawaii on their honeymoon. Matthew and Dawn got divorced, then flew off to Hawaii together. How do you figure that?
Both seem to be doing better now with the new partners than they did when they were married to each other. I pray for both of them, and their new partners, every day. When my ex-daughter-in-law needs some "Mom-ing", she calls up my wife for it still. Sorry they couldn't make a go of it, but we still love them both. Dawn was engaged to one soldier there on a base on Oahu, then married another one within three days time. Looks like he's got enough stability for both of them. Matthew is currently with a lady who also had gone through a divorce. I think both of them are "altar shy" because of their painful first marriages.
Life's tough. I am most blessed to be in love with the woman I am married to, and to believe the teachings of the church I am a pastor of. I know of others who are not so fortunate.
One of my best friends wife left him when he was the principal of a Christian high school where I was working. He waited for her for seven years, hoping she would reconsider. Finally, he remarried. Looks like the second marriage is a good one for both of them. Curiously, he lived in Hawaii, and married one of my favorite summer school professors in California--and I never even introduced them, or knew they knew each other! Now he's the principal of a new grade school that just put in an eight million dollar plant, and last I heard she was the acting president of one of our church's colleges. Sort of a "power couple" in that small community.
I sent him a lyric I had written shortly after he remarried. It was about a man who had lost his wife in death and was in the proces of letting go of her memory and moving on with his life. My friend related it to his relationship with his ex. He wrote, "It seems strange to bury someone who is still alive."
The Bible says God hates divorce. The reason is simple enough: He loves people, and doesn't like to see them hurting.
I'll be looking for your lyric when you get it ready for posting.
Skip
Last edited by Skip Johnson; 04/29/07 01:18 AM.
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Got one to add, if I can be that bold. I was gonna write a lyric months ago, when the ads were on TV here (in Tennessee), with Harold Ford, Jr and Bob Corker fighting over a Senate seat.
When your hands are dirty, you shouldn't wipe your eyes.
In case you don't get it, it means that if you're a crook (or politician), you have to your eyes open and clear at all times, to make sure your "friends" don't screw you.
Thought I'd share that.
Rick Maines
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Hi Skip,
I still have that first batch of yours I did about 7 or 8 off of. Looks like you've been busy again. I may have to also. Most of the hooks I've written on so far, other than yours, came from ideas out of the mists of my mind. A few I've picked from signs, or something I've heard that tickled my imagination. Thanks again for sharing these.
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Rick and John,
Thanks for dropping in. Rick, I'm going to post yours at the top of the list, along with one I just got from the game my sons are playing downstairs. John, glad you found some things you could use. I'm looking forward to coming down and seeing you here before long.
Skip
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Hi Skip, As you know, I enjoy looking at the hooks you offer. I saw a couple that I might get to work on. Calvin http://www.soundclick.com/bands/0/calvinstewart
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Calvin,
Go for it.
Skip
P.S. I'm adding a few more to the top of the list, so you might check back in on this thread a time or two again to see how it is growing.
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