These two tracks easily fit the potential of Synchronization Licensing, the background music you hear in TV ads, TV shows, movie soundtracks.
It is a huge market, a global market.
This second one, "Naronia: Strange To Come By" seems to me, a layman, to have 'cut points' where short segments could be separated out for Synch. Licensing. Some pieces you hear on the net are only six seconds long. Others 10/15 sec. Others 30. Some are whole songs, minutes long. Pay attention to that background music, wherever you hear it, and imagine; someone got paid for the 'use' of that. And they still owned it. After the 'use' contract expires, they can market it again for another 'use'.
Music Supervisors, sometimes called Broadcast Producers, have a budget to 'License' such product. If you have 'product' in the can, recorded, and skills to make contact with them, solicit receipt of 'Briefs', the specifications for what they're looking for, and can match up your product with their specifications, to a reasonable degree, it could be very lucrative. They're always in a hurry, with a broadcast deadline to meet, a boss expecting performance, so you have to be able to respond as quickly as possible, which makes having product ready to record and zap out over the net a valuable skill set.
I'm going to listen to your first post. I started there, found it interesting enough to wonder what you had posted here and came back.
I know from the portion I heard there that it is unique in its own right, each of these three showing you're not limited in the sounds, the 'feel' you create.
I think that's what the Music Supervisors may want, that diversity, that eclecticism. If you can transition from 'Creative' to 'Entrepreneur', the 'internet zap' modus operandi of Synchronization Licensing could be a lucrative exploration.

Last edited by Gary E. Andrews; 01/24/23 04:26 AM.
There will always be another song to be written. Someone will write it. Why not you? www.garyeandrews.com