|
12 members (Fdemetrio, texritter, Sunset Poet, KyleCrawford, bennash, Gary E. Andrews, Bill Draper, Michael W. Brown, Brian Austin Whitney, CTthomas, 2 invisible),
51,680
guests, and
5,981
robots. |
|
Key:
Admin,
Global Mod,
Mod
|
|
Welcome to the Just Plain Folks forums! You are currently viewing our forums as a Guest which gives you limited access to most of our discussions and to other features.
By joining our free community you will have access to post and respond to topics, communicate privately with our users (PM), respond to polls, upload content, and access many other features. Registration is fast, simple, and absolutely free; so please join our community today!
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
TV Drama
by Raymond Byabazaire - 08/31/26 09:46 AM
|
|
|
|
|
|
|
|
|
|
Joined: Aug 2007
Posts: 7,128 Likes: 87
Top 40 Poster
|
OP
Top 40 Poster
Joined: Aug 2007
Posts: 7,128 Likes: 87 |
The recording technique described in the video is actually something very important that you must understand about mastering. Middle C on a grand piano in a studio with great acoustics and multiple full range mics will cover a much broader range on your Eq than a toy casio keyboard recorded with your phone. . The best studio that I know of in Houston (Sugar Hill) is also the deadest sound space that I have ever been in. When you say a word with a stop...like "Stop"...the sound is gone when it leaves your mouth. I asked one of the engineers years ago why it was so dead and his response was that they dont want the room shaping the recordings at all. But prefer to add all of "the room" back with the plug-ins. The takeaway...your assertions about the tracks in BIAB not having enough dynamic range for a "trained ear" to be able to work with effectively ...seem rhetorical, The people at Sugar Hill want the sound to be as exclusive to the instrument as possible. And there is plenty dynamic range there to work with. BIAB tracks sound recorded because they are derived from recorded tracks. There is plenty there to work with also. I use BIAB exclusively for Piano accompaniment and solos at the moment. I sing and play guitar. I use a midi to control EZ bass, Hollywood Strings and Mai Tai. I use BIAB for piano accompaniment and solo. Over a period of years, I've recorded several tracks with a live pianist. "Marfa" was one. He always gave me a decent result, but some days he was more into it than others. $100 bucks buys competence but not necessarily dedication or a desire to give away "the good stuff" for $100. Otoh, with BIAB I can just keep digging until I get something that I like. Then I can export to midi and edit some changes to fit the song better. I have been working on a single song since December. Still not finished. I was planning to work it up in BIAB until I got something that I liked and then send that to a pianist in Nashville as a template to re-interpret. But I like the tracks that I was able to work up from BIAB so much that I am going to use the tracks that it generated. it is an extraordinary tool.
|
|
|
|
We would like to keep the membership in Just Plain Folks FREE! Your donation helps support the many programs we offer including Road Trips and the Music Awards.
|
|
|
Forums118
Topics128,947
Posts1,185,376
Members21,480
| |
Most Online236,505 Jul 1st, 2026
|
|
|
"No matter how much you legally protect a turd, it's still a turd" -Brian Austin Whitney
|
|
|
|