|
9 members (bennash, Fdemetrio, KyleCrawford, texritter, Raymond Byabazaire, Everett Adams, Michael W. Brown, Gary E. Andrews, 1 invisible),
11,278
guests, and
5,820
robots. |
|
Key:
Admin,
Global Mod,
Mod
|
|
Welcome to the Just Plain Folks forums! You are currently viewing our forums as a Guest which gives you limited access to most of our discussions and to other features.
By joining our free community you will have access to post and respond to topics, communicate privately with our users (PM), respond to polls, upload content, and access many other features. Registration is fast, simple, and absolutely free; so please join our community today!
|
|
|
|
Joined: May 2007
Posts: 51
Serious Contributor
|
Serious Contributor
Joined: May 2007
Posts: 51 |
The bar didn't pay me or hire me. The band I opened for was hired to play the bar that night and they were expected to cover a specific amount of time and didn't have enough material. The guitar player of the band had just heard of me and someone referenced me, so they called me on the spot to see if I could fill some time and open, etc. It's been 14 years since then but if I remember correctly they paid me like $50 to play a short opening set. Thinking back, really the band shouldn't have accepted the paid gig if they couldn't cover their end of the deal with the bar, etc. I could go on but you need to learn how to read a crowd, you should DEFINITELY entertain them, learn some songs for each crowd. At least one truly "on point" song that makes them happy is a must for professionals. In that case, a funny version of Nickleback would have served you well.
I definitely agree that being able to read a crowd was a tactic that I needed back then and didn't quite have just yet. I was just starting out. There is a point I did want to make though and follow up on. Having been yelled at by that man that night, played a key role in my growth as a performer and songwriter. I specifically went home that night and started working harder. I started reviewing my material and trying to think of ways to make it better, or scrap songs that were not working, etc. I began spending a little more time on new material, specifically lyrics and song structure. Had that never have happened, I may have had a higher comfort level that was not reasonable, etc. So I did learn something from the moment. I learned that I needed to always strive to improve, no matter what I'm doing. I did what I could to turn that negative into a positive.
|
|
|
|
We would like to keep the membership in Just Plain Folks FREE! Your donation helps support the many programs we offer including Road Trips and the Music Awards.
|
|
|
Forums118
Topics128,963
Posts1,185,478
Members21,480
| |
Most Online236,505 Jul 1st, 2026
|
|
|
"If you are stuck in your musical composing, be unreasonable. Change your environment. If you are stuck in your lyrical efforts, instead of forcing the same old words out, force yourself to do unreasonable things." -Brian Austin Whitney
|
|
|
|