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Unwrap Me
by Gary E. Andrews - 12/10/25 06:42 PM
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Cabo
by bennash - 12/10/25 06:36 PM
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| by Paul Churchfield |
| Paul Churchfield |
Note: This link is the latest take: Whatever - Paul ChurchfieldWhatever I did Whataver I said Whatever it was that made you wanna stay away Whatever you feel I know that it's real And if you wanna talk to me I'll be right here From the bottom of my heart I love you And I never wanna be apart from you I been trying everything I can to reach you Cause I miss you in my life Instrumental Solo From the bottom of my heart I love you And I never wanna be apart from you I been trying everything I can to reach you Cause I miss you in my life https://paulchurchfieldmusic.blogspot.com/2023/04/whatever.html
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| by Gary E. Andrews |
| Gary E. Andrews |
One of my go-to Editorial suggestions is to delete 'And' and 'Cause' (and 'But') at the beginning of Lines of Lyric.
I think, in singing this, you do that. I don't actually hear those words. Eliminating them 'unclutters' the Line in the mouth of the singer, a significant nano-second of space to breath instead of having to fit that 'opener', 'explainer' word in there.
'And' is especially egregious, as singers fail to enunciate the 'a', leaving 'nd' to slur into the next word, often obscuring its meaning. Obscure a word and a whole Line may not 'work', communicating the intended phrase to the listener. If that Line fails the whole Stanza may fail, and listener may begin to drift off to their own thoughts instead of continuing to listen for yours.
Lines often 'read' the same without the 'connectors' And/But/'Cause. Writers employ them to connect thoughts from Line to Line, but listeners 'get' the connection without the connector.
Listen and see if you actually pronounce those words or if they're 'whispered' and listeners are not likely to actually hear them. Sing it without them and see if it 'works' without them.
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