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I was born and spent many early years in a coal mining town. Both my grandfathers had worked in the mine and eventually died, partly as a result of it. There was a major disaster close by in 1966 where 144 people, 116 of them children, were killed when a slagheap collapsed after heavy rain. Despite the harshness of the life it had its beauty too. As kids we used to play on the hills and in the streams around it. One stream entered a long tunnel through a small hill. We would place a stick in the water and then run as fast as we could round to see if we could catch it coming out the other side. My uncle showed me a spring coming, as if by magic from a rock, which we could drink from. I used to walk up to the top of a small mountain and look down at the town. In the sunshine it was a golden colour like honey and looked much cleaner from up there. This is a new version of a song I first wrote two years ago. There may be too much going on instrument wise. Let me know what you think if you'd be so kind. Thankyou, Vic This is a low quality mp3. http://sclk.co/s6ueyyMountain River Mine © Vic Arnold 2010 On the mountain, the beautiful mountain Looking down on a honey town Where we drink from the crystal fountain On it's way to the river in the ground And on the river, the beautiful river Where the children skim their stones On sparkling water that flashes silver 'Til the women call them home Ch. And we lived here down through the ages And we loved here in those times Where we tended to our babies All in the bosom of the mine Instrumental In the valley, the beautiful valley There's a darkness coming from the hill People crying, there are many Blackened bodies lying still Ch. And we lived here down through the ages And we loved here in those times Where we tended to our babies All in the bosom of the mine Repeat last line Play out
Last edited by Vicarn; 03/12/12 04:36 PM.
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I was born and spent many early years in a coal mining town. Both my grandfathers had worked in the mine and eventually died, partly as a result of it. There was a major disaster close by in 1966 where 144 people were killed when a slagheap collapsed after heavy rain. Despite the harshness of the life it had its beauty too. As kids we used to play on the hills and in the streams around it. My uncle showed me a spring from which we could drink. I used to walk up to the top of a small mountain and look down at the town. In the sunshine it was a golden colour like honey and looked much cleaner from up there. This is a new version of a song I first wrote two years ago. There may be too much going on instrument wise. Let me know what you think if you'd be so kind. Thankyou, Vic This is a low quality mp3. http://sclk.co/s6ueyyMountain River Mine © Vic Arnold 2010 On the mountain, the beautiful mountain Looking down on a honey town Where we drink from the crystal fountain On it's way to the river in the ground And on the river, the beautiful river Where the children skim their stones On sparkling water that flashes silver 'Til the women call them home Ch. And we lived here down through the ages And we loved here in those times Where we tendered to our babies All in the bosom of the mine Instrumental In the valley, the beautiful valley There's a darkness coming from the hill People crying, there are many Blackened bodies lying still Ch. And we lived here down through the ages ---PERHAPS on this chorus to change it a tiny bit to go with story, you could say...BUT we've lived here down through the ages..the reason is, you made it seem polyanna place in first part of the song but in the last verse, the tragedy...so perhaps on this chorus to counteract the sadness, say BUT we've lived here..to kinda say, we are staying here, though there is heartbreak, because it is our way of life and we are used to these things..just an idea.. And we loved here in those times Where we tendered to our babies All in the bosom of the mine Repeat last line Play out If it were mine, which is it not, but a suggestion would be to name it Bosom of the mine.  This is really beautiful. It is not a current sound for country music but it is good nonetheless, and would work well for bluegrass or traditional music. I feel the drum is taking away from the mountain sound. I feel perhaps a harmonica or even just a lite tab on the guitar for a small beat would work well.. very very nice Vic!!! Kimberly
*Always open to collaborations on my lyrics.. with singers and musicians, but PLEASE contact me before putting work into one--in case someone else has it..thanks!!** BMI Member All Rights Reserved http://www.littleikepublishing.com Email for Song Business Only littleikeproductions@hotmail.com
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Hey Vic,
This is really good stuff. Very picturesque imagery painted in the story. Very nice indeed. The instrumentation isn't cluttered at all to my ears.
Stevie
I'm the only person here who is not unique.
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Kim, thank you for those suggestions. There's always have a problem for me knowing what label to attach to a song, whether it's "folk", "pop" or "country". Then whether it's "country pop" or "alternative folk". Somebody ought to write a definative guide book. I'd buy it for sure. I did name it "The bosom of the mine" at first. Interesting about the drums too as the earlier version had very muted percussion. Now I'm confused. Vic
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I was born and spent many early years in a coal mining town. Both my grandfathers had worked in the mine and eventually died, partly as a result of it. There was a major disaster close by in 1966 where 144 people, 116 of them children, were killed when a slagheap collapsed after heavy rain. Despite the harshness of the life it had its beauty too. As kids we used to play on the hills and in the streams around it. One stream entered a long tunnel through a small hill. We would place a stick in the water and then run as fast as we could round to see if we could catch it coming out the other side. My uncle showed me a spring coming, as if by magic from a rock, which we could drink from. I used to walk up to the top of a small mountain and look down at the town. In the sunshine it was a golden colour like honey and looked much cleaner from up there. This is a new version of a song I first wrote two years ago. There may be too much going on instrument wise. Let me know what you think if you'd be so kind. Thankyou, Vic This is a low quality mp3. http://sclk.co/s6ueyyMountain River Mine © Vic Arnold 2010 On the mountain, the beautiful mountain Looking down on a honey town Where we drink from the crystal fountain On it's way to the river in the ground And on the river, the beautiful river Where the children skim their stones On sparkling water that flashes silver 'Til the women call them home Ch. And we lived here down through the ages And we loved here in those times Where we tendered to our babies All in the bosom of the mine Instrumental In the valley, the beautiful valley There's a darkness coming from the hill People crying, there are many Blackened bodies lying still Ch. And we lived here down through the ages And we loved here in those times Where we tendered to our babies All in the bosom of the mine Repeat last line Play out Vic, I love it. There's a very Johnny Cash-type feel to it. A more contemporary artist who sounds like like this is Tom Russell. If you're not familiar with him, you should check him out. The drums are a little bit loud (or maybe just a little too mid-rangy) for my taste. Any number of backing instruments could work on this song...acoustic guitars, cello, B3, accordion, fiddle, mandolin. Check out "Homestead Steel" by The Tom Russell Band for a production style that I think would work great for this song. The current title doesn't grab me at all. I stopped in because I have heard enough of your work to make me want to check it out. I think "Bosom Of The Mine" is the way to go. I also didn't read any of your intro. I figured that the song would either work on its own or not. Kurt
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Thanks Stevie. That's encouraging. Vic
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Hi Vic, This is very pretty. I also love the images they really set the scene. I have a couple of suggestions kos of course.  And on the river, the beautiful river Where the children skim their stones On sparkling water that flashes silver 'Til the women their mothers call them home And we lived here down through the ages And we loved here in those through tough times Where we tend ered to our babies I'm not sure about this line maybe something like 'we shared our tears and laughter" or something that would set it up a little better for the last verse since it's all been good up to this point.All in the bosom of the mine It's a beautiful song.  Dottie
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Hey I thought the man in black was gone. Man sounds like Johnny Cash is back. Title change to, "Bosom on Mine" suggested Kimberly is spot on. But man I love the song. I think to contrast of styles between the drums and the rest of the music give it a uniqueness all it's own. I wouldn't change a thing but the title, of course.
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Love this, very beautiful Vic...yep, Johnny is back....great write also..and I wouldn't change a thing...great...
glyn
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Thanks Kurt. I followed the link to Tom Russell and I'm glad I did. Looks like it's back to "Bosom of the mine". Vic
Hi Dottie. They use the term "women" a lot in that area. Ooops! And, actually, I just realised it should have been "tended" not "tendered". Thank you for the suggs. Vic
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Last year on the Muse board, they had a collab contest and a couple of folks wrote a song called Aberfan, about a mining disaster in Wales. Could that be the same event? It's a very good song. Let me know if you would like to hear it and I can PM you the link.
I think this is a very nice one. I'm a huge Tom Russell fan but I'm not hearing this in his style. I like what you have, but maybe the drums are not quite working. It would be cool to hear a more traditional sound with this. I could hear a more bluegrassy sounding version with mando, violin, and acoustic guitar.
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Thanks for the kind comments Nelson. It seems some like the drum thing and some want more of a bluegrass sound. I lean slightly more toward the contrast, like you at the moment, but I may be persuaded otherwise. Vic
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Hi Glyn! You say the nicest things. Vic
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Wendy, My hat's off to you. It was Aberfan. Just a couple of miles from where I was born. Yes please, I would like the link. Vic
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Hi Vic, I remember this terrible disaster well.Good luck with this one, just a suggestion or two; In the valley, the beautiful valley Came a darkness sent straight from hell mother's cried for their children Never more to hear the old school bell. John
We are all in the gutter, but some of us are looking at the stars. Oscar Wilde
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Cool song Vic, personally I would go Bluegrass with this using some mando and dobro. One idea would be to do a faster tempo on the music and the vox at half speed.
Good work,
Rob
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Calvin, I'm happy to know that I helped to soothe you. Unicorns watch out. Thanks for that. Vic
Last edited by Vicarn; 03/12/12 04:41 PM.
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Hi there, Travis. Interesting suggestion there but, if you remember, the "darkness" came from the "hill" of slag which slid down onto the town. I didn't want to draw too much attention to that particular disaster though as there were many others in the area's history. Thanks for taking the time to listen. Vic
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Classic Vic. Drums sat fine for me in the mix. Love the vibe of it. I gave up long ago classifying genres/songs. Who cares? A good song is a good song.
Zeek
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Hi Rob, That sounds like it might work. I was thinking more of the gentler Peter,Paul and Mary "Blowing in the Wind" style but yes, maybe so. Thank you for the idea. Vic
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I like bluegrass -- as long as there are drums in it (ha, ha). The drums sound fine to me. Very good back story and the song seems to be working well for me.
Good one, Vic -- as always. Yea, I'd re-title it. Is that you doing the high harmony? Sounds good.
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VIC--
THIS SONG IS ONE OF YOUR BEST--IT HAS A STORY I CAN SEE WITH MY EYES CLOSED.
THIS ONE: YOU PROBABLY NEED TO PUT IN YOUR ALBUM!
IT'S GREAT!
WRITE ON--
Mackie
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Zeek, I did miss the nylon strings on this one. Thanks for commenting. Vic
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Hi Kevin. Yes, that's me standing on tiptoe on the high notes. I love bluegrass, especially with drums. :-) Thanks for the support. Vic
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Pleased this one is doing well for you on the forum Vic, are you taking it it further, adding more instruments etc? John
We are all in the gutter, but some of us are looking at the stars. Oscar Wilde
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Vic,
I really enjoyed this. It has a classic feel about it. I can't help wondering what it would be like if it was sung by a Welsh Male Voice Choir. Could be a real tearjerker. I remember all the images of Aberfan when I was growing up in the UK. Very sad.
Well written lyrics too, nicely done. I'm a fan of fewer, well chosen words, rather than unforgettable verbosity. More songs like this would be great.
Andy
If at first you don't succeed, try the 'ON' switch!
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Mackie, Glad you like this one. If I ever get round to an album this will be on it for sure. Vic
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Travis, thanks.
I may just do that. Vic
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Hi, adf. I have been called a man of few words before. But I think you're right to believe that. A Welsh male voice choir sounds a great idea. I wonder if I can multitrack that many.  Thanks for the support and the idea. Vic
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Hey there Vic. Definitely have that Johnny cash feel. Nice pictures you painted there. Maybe take the chorus up a notch as it blended too much with the verses. Just my thoughts!
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Hey there Vic....So, Johnny Cash lives!! Great song.....a very ,very nice listen. Thanks for sharing........ -Tom
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Iggy, thanks for the comments. I've been wondering about the chorus myself. Vic
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Very nice Vic. I would not change much. The treatment, tempo, rhythm, melody, all suit the lyrics very well. I like the lead guitar fills and solo. Not crazy about the drums. Vocal is excellent.
Some people would say that it takes too long to reach the chorus (1:30). You could stick another chorus between V1 and V2 but then the song gets a bit long.
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Cognac, Thank you for the support. Vic
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Colin. What would you change about the drums?
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I'll crank up the good speakers later and have a close listen and get back....
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OK - drums..... I would eliminate the opening and closing high hat on the fourth beat. The brushes sound OK but I also would try a stick hit and a gentle cross stick on the backbeat (2 and 4) for comparison. I can't pick out the kick drum - maybe it is perfectly in time with the bass. I would probably bring it up a bit. The cymbal crash on the ride cymbal could stand a bit of reverb. No major changes except losing that high hat!
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I like this song very much. I like the drums as is myself .. nice job Dan
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I like this song very much. I like the drums as is myself .. nice job Dan
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This is great, Vic. Such a great feel to the music. And having lines like these:
On the mountain, the beautiful mountain
almost give it a gospel feel - which works well for the song.
That third verse really comes out of the blue - I was listening without reading. And then the way it goes back into the chorus gives it a sense that the folks take the bad with the good - that they will deal with it. Very powerful.
Scott
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Thanks for taking all that time Colin. Much appreciated. I think I get what you mean about the high hat. At the end of the fourth beat there is also a brush flam, which may be confusing things. There is quite a hefty kick in there too which is matched by the bass timewise. I did originally have a crossstick but it didn't sound right to me. I'll have another play around with it Thanks again, Vic
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Thanks Dan. Not too sure about it now but I may alter slightly. Vic
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Hi Scott. You got it in a nutshell. Two sisters Beauty and Ugliness living together. Thanks for listening. Vic
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