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Mutlu
by Gary E. Andrews - 04/15/24 07:08 PM
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Leafs
by Gary E. Andrews - 04/05/24 01:49 PM
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Hey everyone. Haven't posted in a while. This is a worktape recorded on my phone. I'm interested in everyone's thoughts about any and all aspects. I'm particularly interested in your thoughts on changing the last chorus from "you" to "I". Thanks to everyone for your input. Don't go easy. :-) - Ricky https://soundcloud.com/rickyharris/let-her-flyLET HER FLY Written and Performed by Ricky Harris He said, "Those little yellow wings danced through the yard You whirled and twirled 'til you caught her Put the flower from your hair in a mayonnaise jar Gave her grass and water Three hours in I kneeled down Honey I know how much she means But if you want that butterfly to grow You need to set her free CHORUS Let her go, let her fly Like a kite in the wind You won't know 'til you try Goodbye is not the end Let her go, let her grow, let her know you love her Let her fly I still remember your first steps And the day you learned to ride your bike Each time I wanted to hold on Until these words ran through my mind REPEAT CHORUS BRIDGE Ev'ry step we take together down this old church aisle Brings back a happy memory of you I fight back the tears with a proud father's smile Knowing one last time, what I need to do Let her go, let her fly Like a kite in the wind I won't know 'til I try Goodbye is not the end Let her go, let her grow, let her know I love her, I'll always love her Let her fly Copyright © 2014 Richard Harris. All Rights Reserved. ASCAP – Richard Harris SoundCloud.com/RickyHarris RickyHarris.com
"Victory is what happens when ten thousand hours of practice meet up with one moment of opportunity"
RickyHarris.com
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Hey Ricky, Since you posted this in the Lyric forum, I'll only address that part of the song okay? While your hook isn't necessarily an unfamiliar one, I enjoyed the notion of setting it up with the butterfly story. But I was a bit confused about the WHEN of this sequence, and who the "you" and the "her" were. I did re-read it a couple of times, though, and then think I figured it out...but maybe to make it clearer you could try this ?(or maybe it's just my old addled brain that couldn't figure it out! )... REMEMBER THOSE little yellow wings danCING through the yard HOw you whirled and twirled 'til you caught her? Put the flower from your hair in a mayonnaise jar And gave her grass and water? OR HOW three hours in I kneeled down AND SAID Honey I know how much she means But if you want that butterfly to grow You need to set her free Otherwise, I enjoyed the story and the bridge of course really hit home. My daughter just got her Learner's Permit a week ago, and I'm very cognizant of all the Letting Go moments still to come! Thanks for sharing and good luck! Beth
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Ricky, Cool. I am currently unable to listen. I used the "Frozen" song "Let It Go" as the basis for reading yours. That said, The first verse is third person. The second is first person. All in the same timeline. Maybe instead of "He said", it could be "I said". I see the "I" vs "You" dilemma you mention in the final chorus. Since, you are relating the story, you do know...in general. But, not about your daughter specifically. So, it kinda works as written. However, you may want to go in another direction entirely. Something like, "I know I gotta try". Ricky, this is a really nice heart-felt story. Simple. To the point. Clear. I really like it. Dave
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You are both correct. It gets a little weird with the tenses. Generally mainstream artists don't sing about something personal in first person, especially if it involves a kid or something that reflects their age. So I was trying to make it third person but didn't do it often enough to work. The other option is to go back to first person and hope an artist will sing it. I need to look at it some more and figure out which way is better. Thanks for your insight!!!
"Victory is what happens when ten thousand hours of practice meet up with one moment of opportunity"
RickyHarris.com
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Ricky, there's a fine line between sentimental and maudlin. You'll have to decide for yourself which side of the fence these lyrics fall on. There's always the danger in these kinds of songs that they'll fall on the wrong side of the fence.
I wouldn't be too concerned about which point of view to take in the last chorus. Either point of view could work. Neither will make or break the song to me. Good luck going forward.
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Great comment Dan. What is it about the song that brings up the maudlin aspect for you? Is it the chord choices or the lyrics?
"Victory is what happens when ten thousand hours of practice meet up with one moment of opportunity"
RickyHarris.com
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Ricky, the lyrics skirt the borderline. One test is to ask this question: is it plausible? Would a father walking his daughter down the aisle still be reminding himself " Let her go, let her grow, let her fly etc". Does each step really bring back a happy memory.? I can't answer that. Only you can.
Incidentally, I should have said the music was fine. Sounded like a harpsichord to me.
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I agree with Dan. I like it and think it needs something else. I love "Sip" btw. Vic
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Thanks for your input Dan and Vic. Thanks Vic for the kind words on Sip. :-)
"Victory is what happens when ten thousand hours of practice meet up with one moment of opportunity"
RickyHarris.com
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Hi Ricky,
I came into this the other day and was at the coffee shop and couldn't listen. I then kept forgetting to listen at home. Here I am at the coffee shop again, without my earphones, so I'll just comment on the lyric and come back to listen!
First, this is very sweetly written! The whimsical feel of it is very pretty!
I have an 11-year-old son and I can picture the whole butterfly scene -- and feel it, the way you've written it so tenderly!
I did get confused with the pronouns, especially in verse one. In verse one, line one, I thought that a little boy was talking to his dad. I got confused about who was catching the butterfly too.
I was thinking, in the chorus, you could add more of an explanation about why she should let the butterfly go. If you're really speaking to the girl, and you say, "goodbye is not the end" --I'm not sure if that would be enough of an explanation. I think that some more meat could be added to the chorus.
Oh, also, when you talk about her first steps ... I think it's confusing because we've already pictured her walking, since she was dealing with the butterfly. Thus, during her first steps, he wouldn't be thinking back to the butterfly discussion.
Lisa
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