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There's probably at least three ways a (first person singular) song and singer can be heard:
1) singing as himself or herself
2) singing as a specific "someone else" or as a specific "character"
3) singing as an "audience surrogate" I think so too. And fdemetrio's statement that "I" seems to be a powerful tense to use in writing lyrics. Most of my lyrics are written in 1st person, but I would have traveled the world if they were all my experience!! As a listener, I probably assume a singer is singing something they "believe in" but not necessarily their own experience. But I would be wrong in the case of Tina Turner and I’m sure many other singers. I believe it’s true that she hated “What’s Love Got to Do With It” but you’d never know that watching her perform it. Hi Kristi, Nice take! I didn't know about Turner's dislike for that song (which I love).. I got so caught up in the mechanics of "how many ways are there to hear a first person singular song and singer" that I forgot why I brought it up in the first place, which is that it's easy to get it wrong. In fact, I think it's fair to say that to the degree that a listener understands an artist is to that degree he/she will get it right. I mean, if you know a particular folk singer is usually talking about his/her real experience, there's no reason to think otherwise when they perform something new. In fact, such singer-songwriters reserve obviously very tall stories to be their particular works of fiction, just so not to confuse their audience. "Authenticity" seems more important to some brands of music sung in the first person than others. And this is now getting into thesis territory with those three ways a singer can be heard: In any given song, the singer can represent all three kinds of first person singular simultaneously. Imagine a DOT inside an equilateral triangle. This is why, as you say, "a singer is singing something they "believe in" but not necessarily their own experience." Most first person songs have some things culled from real life, some from fiction, and some things that give voice to what a listener is feeling and might say--an audience surrogate..All three will be present in various amounts in most popular music lyrics. A friend of mine saw an audience en masse get it wrong--he saw Randy Newman in Nashville in the Eighties at a smallish venue, and he performed his song "Rednecks" in which he is singing as a specific character, a bigot, singing the lines, We're rednecks, we're rednecks We don't know our ass from a hole in the ground We're rednecks, we're rednecks We're keeping the ni**ers down My friend recounts how the audience sang along to this part..very enthusiastically.. and that always disturbed my friend and myself cuz if there's one Randy Newman song where you want to quietly listen and watch Newman wearing a mask and not be "identifying" with him, it's "Rednecks" --and okay, maybe "Short People" lol.. And Scott* (my friend) also made sure I understood it did not appear that this small beer drinking crowd of folks were "singing ironically" along with him So in hindsight it seems like Mr. Newman was taken by the audience as a surrogate, at least by most, others just getting caught up in the moment, but most were seemingly channeling their bigotry through his singing, fleshy avatar. Very disturbing. Randy Newman songs generally got visceral reactions from folks. I'm surprised no one's mentioned "Short People" --but surprised in a good way, cuz I like Newman. He's a really socially conscious dude who never soap boxes, but in many songs, becomes flawed characters for us to take in. Mike * Scott Phelps was the Assistant Manager and friend at Tower in Nashville whom I worked with from 1993-1996. A songwriter with a little chart success. MAB and he may have even crossed paths in song circles.
Last edited by Michael Zaneski; 07/20/19 01:51 PM.
Fate doesn't hang on a wrong or right choice Fortune depends on the tone of your voice
-The Divine Comedy (Neil Hannon) from the song "Songs of Love" from the album "Casanova" (1996)
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Well, Lessee here. George Morgan had a huge hit CANDY KISSES. He said if you have a huge hit, you better like it because you are going to be singing it the rest of your life. Yes, I suppose some Artists had big hits they hated.
Ray E. Strode
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Yeah, I dont think Johnny Cash "shot a man in Reno Just to watch him die"
I think Rod is using inhibitions wrong, but its still understood that he means dont be inhibited...lol
I think Rod has one of the best voices in all of rock music.
Back to the topic, I think when its a sensitive issue using I can get hairy, but alot of the REAL writers use it.
I think it humanizes the person in the song, even if they are a piece of chit.
Bruce's Nebraska was an entire album really of fooked up people who he was giving voice to. I think what he was trying to say was that when the country doesnt take care of its people they end up on the fringe, and do things like many of the characters in Nebraska did. So if you sing "I" yeah somebody might think you are saying YOU are the chainsaw murderer, but it's understood by most he's simply humanizing some people who dont deserve to be humanized.
I Know sting was a teacher once, and im not sure if HE was the one telling the school girl to "dont stand so close to me" but maybe he used his own experience to create the character.
I think most songs, at least my own come from many of my own experiences and others, and i sing "I" because i indentify with those other views. So in some sense its a co-write....lol
Last edited by Fdemetrio; 07/19/19 02:39 PM.
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"I think when its a sensitive issue using "I" can get hairy" I wholeheartedly agree. "Nebraska" is my second favorite Bruce album. ("Born To Run") my all time favorite..
Last edited by Michael Zaneski; 07/19/19 03:11 PM.
Fate doesn't hang on a wrong or right choice Fortune depends on the tone of your voice
-The Divine Comedy (Neil Hannon) from the song "Songs of Love" from the album "Casanova" (1996)
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"I think when its a sensitive issue using "I" can get hairy" I wholeheartedly agree. "Nebraska" is my second favorite Bruce album. ("Born To Run") my all time favorite.. Yeah even the crumudgeon Randy Newman called it NEAR perfect, he wouldnt go all the way and call it perfect though.... I read where he also commented on Pete Townshend as a writer. Citing My Generation, the character in the song is a MOD, a social group, and they usually do Speed and they cant talk right. Hence thats why daltry stutters throughout. And Newman said, the guy is trying to be a voice for his generation and he cant even speak!....and said "great writing"
Last edited by Fdemetrio; 07/19/19 03:16 PM.
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So in hindsight it seems like Mr. Newman was taken by the audience as a surrogate, at least by most, others just getting caught up in the moment, but most were seemingly channeling their bigotry through his singing, fleshy avatar. Very disturbing.
Randy Newman songs generally got visceral reactions from folks. I'm surprised no one's mentioned "Short People" --but surprised in a good way, cuz I like Newman. He's a really socially conscious dude who never soap boxes, but in many songs, becomes flawed characters for us to take in.
Mike Mike, Funny....“Short People” did come to my mind, but it’s an all-in-good-fun kind of song to watch him perform, imo. Amazing about that “Rednecks” performance. So then there’s “We Are the Champions”....kind of the flip side to that! Using “I” can be tricky as has already been mentioned. I interpret Sting’s “Every Breath You Take” as an aggressive, threatening song....who would want to sing that, ya know? But that's just me. I don’t know how many times I’ve heard: don’t write a song that makes the singer look bad. What is "bad"? Fine line, sometimes. Fine line...
A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself. What a man can be, he must be. -- Abraham Maslow, American Psychologist
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So in hindsight it seems like Mr. Newman was taken by the audience as a surrogate, at least by most, others just getting caught up in the moment, but most were seemingly channeling their bigotry through his singing, fleshy avatar. Very disturbing.
Randy Newman songs generally got visceral reactions from folks. I'm surprised no one's mentioned "Short People" --but surprised in a good way, cuz I like Newman. He's a really socially conscious dude who never soap boxes, but in many songs, becomes flawed characters for us to take in.
Mike Mike, Funny....“Short People” did come to my mind, but it’s an all-in-good-fun kind of song to watch him perform, imo. Amazing about that “Rednecks” performance. So then there’s “We Are the Champions”....kind of the flip side to that! Using “I” can be tricky as has already been mentioned. I interpret Sting’s “Every Breath You Take” as an aggressive, threatening song....who would want to sing that, ya know? But that's just me. I don’t know how many times I’ve heard: don’t write a song that makes the singer look bad. What is "bad"? Fine line, sometimes. Fine line... I am discovering I'm fascinated by this mercurial triangulation of the "first person" in popular songs. In any given song, from line to line, just exactly who the " I " represents isn't necessarily static but may be changing between the three ways of taking in the singer (singing a song in the first person). So much work is going on under the surface while listening,--just utterly fascinating stuff that one could devote a lifetime of study. But it's something we just naturally do, as listeners, we sort all that out, sometimes getting it wrong (but it's amazing we get it right as much as we do, given the complexity of what's going on) and this probably plays a BIG part in if and how we enjoy or dislike a particular song. I mean, I might be enjoying a song where the singer is playing a character, but if a question comes up for me in the listening, if that character becomes my surrogate and answers that question, I imagine I'm more likely to enjoy the song. Same thing if it's truthful stuff mixed in with more fanciful. If "Fire and Rain" was totally made up stuff, it would devalue the song for me. I always imagine that for James Taylor to talk like that, he experienced something bad happen to a friend, possibly their death, though I never took every line to be verbatim his life story.. Mike
Last edited by Michael Zaneski; 07/20/19 02:18 PM.
Fate doesn't hang on a wrong or right choice Fortune depends on the tone of your voice
-The Divine Comedy (Neil Hannon) from the song "Songs of Love" from the album "Casanova" (1996)
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So in hindsight it seems like Mr. Newman was taken by the audience as a surrogate, at least by most, others just getting caught up in the moment, but most were seemingly channeling their bigotry through his singing, fleshy avatar. Very disturbing.
Randy Newman songs generally got visceral reactions from folks. I'm surprised no one's mentioned "Short People" --but surprised in a good way, cuz I like Newman. He's a really socially conscious dude who never soap boxes, but in many songs, becomes flawed characters for us to take in.
Mike Mike, Funny....“Short People” did come to my mind, but it’s an all-in-good-fun kind of song to watch him perform, imo. Amazing about that “Rednecks” performance. So then there’s “We Are the Champions”....kind of the flip side to that! Using “I” can be tricky as has already been mentioned. I interpret Sting’s “Every Breath You Take” as an aggressive, threatening song....who would want to sing that, ya know? But that's just me. I don’t know how many times I’ve heard: don’t write a song that makes the singer look bad. What is "bad"? Fine line, sometimes. Fine line... I am discovering I'm fascinated by this mercurial triangulation of the "first person" in popular songs. In any given song, from line to line, just exactly who the " I " represents isn't necessarily static but may be changing between the three ways of taking in the singer (singing a song in the first person). So much work is going on under the surface while listening,--just utterly fascinating stuff that one could devote a lifetime of study. But it's something we just naturally do, as listeners, we sort all that out, sometimes getting it wrong (but it's amazing we get it right as much as we do, given the complexity of what's going on) and this probably plays a BIG part in if and how we enjoy or dislike a particular song. I mean, I might be enjoying a song where the singer is playing a character, but if a question comes up for me in the listening, if that character becomes my surrogate and answers that question, I imagine I'm more likely to enjoy the song. Same thing if it's truthful stuff mixed in with more fanciful. If "Fire and Rain" was totally made up stuff, it would devalue the song for me. I always imagine that for James Taylor to talk like that, he experienced something bad happen to a friend, possibly their death, though I never took every line to be verbatim his life story.. Mike It is fascinating and I think there's an art to using the tenses right. BTW, JT wrote fire and rain while institutionalized in a mental hospital, or at least part of it there. How bout the eavsedropping style of say Mark Knopfler in "Money for Nothin" He said he overheard some guys who were working in an appliance store, and how they were complaining about having to do all that work, while the "Chimpanzees, banging on them bongos, get their money for nothing...and chicks for free" they were watching MTV on the tvs while they worked And the ironic part is Knopfler is playing the role of those appliance workers, but HE himself is the very thing they were complaining about. He said he hid in the corner cause he didnt want them to stop their rant. To me songwriting brings people alive. Various ways to do it, we can learn those tools too.
Last edited by Fdemetrio; 07/20/19 03:26 PM.
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"TROLL"...... Self edifying, self promoting, self proclaimed industry professional, self credentialed "teacher of the songwriting craft ", and salesman to be specific Cheyenne. Speaking of negativity.....
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Re your comment -above ------J A P O V , You are typical of wannabe music writers who shout TROLL , because someone disagrees with your opinions
You have been on here for five minutes following the demise of both Songwriter 101 and Songwriter Junction; and already you are rubbing many long term members up the wrong way
Some of us have had a fair few many years working both as touring Musicians and Management and we are sorry if that gets up your nose so speak
All you have to do is mark me down as ( ignore this member) precisely what I shall do to yourself
YOUR COMMENTS about myself are complete nonsense.
J A P O V S would be more appropriate ( Just Another Piece Of Venomous Scum)
One of the most important principles of songwriting is to remember that a good song is a partnership of many different components, all working together to produce a satisfying musical experience.
In that respect, song components are either enhancing or compromising their combined effects.
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"TROLL"...... Self edifying, self promoting, self proclaimed industry professional, self credentialed "teacher of the songwriting craft ", and salesman to be specific Cheyenne. Speaking of negativity.....
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Re your comment -above ------J A P O V , You are typical of wannabe music writers who shout TROLL , because someone disagrees with your opinions
You have been on here for five minutes following the demise of both Songwriter 101 and Songwriter Junction; and already you are rubbing many long term members up the wrong way
Some of us have had a fair few many years working both as touring Musicians and Management and we are sorry if that gets up your nose so speak
All you have to do is mark me down as ( ignore this member) precisely what I shall do to yourself
YOUR COMMENTS about myself are complete nonsense.
J A P O V S would be more appropriate ( Just Another Piece Of Venomous Scum)
Cheyenne, ive had some decent conversations with you, and other times you pull a 360 and blast away. In all seriousness, you may be a very good songwriter, and have a wealth of information about songwriting. But I havent seen or heard one piece of work from you. You've attacked a few people in this thread and cut down their abilities. Not sure what causes your highs and lows.
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"Just Another Piece Of Venomous Scum"............ Lol, Cheyenne, that’s only funny because I know that you know the troll that I’m refusing to name. Everyone is entitled to an opinion and entitled to their own tastes... In fact, anyone who knows me well knows that I appreciate and encourage the exercise of individuality. However, there’s a huge difference between having an opinion... and purposefully writing page after page of long winded arguments about how screwed up the music industry is and what everyone else is doing wrong in order to promote himself as some sort of "authority in the business of songwriting". The truth is, if he was even half of what he promotes himself to be, everyone would already know him and he wouldn’t be wasting his time here on songwriter blogs with the rest of us.... Take a breath Cheyenne, you and I both are already just a couple of "opinions in cyberspace" lol.....
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It's funny how these conversations tend to come full circle and have cross links... Like my Somewhere over the rainbow comment. I came across Clapton doin a blues version of it and really dug it, and its funny cause Clapton has been mentioned in some of our threads too lol https://www.youtube.com/watch?v=iwlFTYT2FdwBTW hard to find a better band than that, Steve Gadd on drums and David Sancious(Of E Street fame) on Organ, Billy Preston the fifth Beatle!
Last edited by Fdemetrio; 08/20/19 05:47 PM.
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Oh yea! Gotta' love Clapton!
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Shania Twain's "Man, I feel like a woman".......... Firstly, that’s not country! Secondly...and most importantly... I can’t sing along with that song and not feel like a woman!
Last edited by JAPOV; 08/20/19 06:09 PM.
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Shania Twain's "Man, I feel like a woman".......... Firstly, that’s not country! Secondly...and most importantly... I can’t sing along with that song and not feel like a woman! In this day and age you could be a woman with a lot of drugs and a few surgeries. LOL
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Ha! Lol.... I'm just not that hard core
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Every time I read the Line, "I Hate A Song That Everybody Loves", it makes me think it has potential to be a Song. A germ of perception in what it could mean to a Singer-Character is forming. Since it always has to be about boy-meets-girl for me that's the motive for him to hate the Song. Boy-loses-girl. In the end boy must get girl back, for me, and there's the trouble. What is the story that has such profound effect on him that gets resolved in three Verses and a Chorus (Or 2 and a Bridge). The Chorus has to work before and after resolution. Does he get that one back or simply come out strong and moving on? Funny how it's working in my brain.
Last edited by Gary E. Andrews; 09/04/19 08:42 AM.
There will always be another song to be written. Someone will write it. Why not you? www.garyeandrews.com
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BAD GUY by Billie Eilish and Justin Bieber
It's the most popular song right now. I wonder if institutions like Berklee College of Music would dissect this song and use it as an example of how to write a hit song. Maybe we should post it here and do our own evaluation?
Summeoyo
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BAD GUY by Billie Eilish and Justin Bieber
It's the most popular song right now. I wonder if institutions like Berklee College of Music would dissect this song and use it as an example of how to write a hit song. Maybe we should post it here and do our own evaluation?
Summeoyo They probably WOULD, if the goal was to have a hit. Cause it is a hit, lame as it may be to us.
Last edited by Fdemetrio; 09/07/19 02:03 PM.
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Do the reasons it's a hit have anything to do with actual songwriting skill? Duh......
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Who is Billie Eilish and Justin Bieber?
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Do the reasons it's a hit have anything to do with actual songwriting skill? Duh...... Yeah it does. Hits are made up of hooks, lyrical/melodic/musical, songwriting skill is needed to create great hooks.
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Here's an example of what they teach at Berklee. None of this is songwriting skill, it's all about the THEORY of writing a hit. https://www.youtube.com/watch?v=Hr9oSTR43VQ
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I would have to disagree, he spoke a lot about song structure in that short video...... Not that it matters to me lol
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Song structure is part of songwriting theory.
I dont think its beneath Berklee at all, to use Biebers song for study. If I wanted to teach somebody what a great song is, id probably pull out the Beatles songbook. If I wanted to teach somebody how to have a hit and make money in todays dire music scene, i might tell them to listen to that, and other hits of today. Obviously millions of people like what they hear.
Different skills for sure, its all about the hook and rhythm today, but not just anybody can have a hit today. You need more than skill and a great song, or great hook, you need a chitload of luck and exposure too. But then again, it's always been that way
Last edited by Fdemetrio; 09/10/19 11:08 AM.
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Peter Sarstead's Where Do You Go To My Lovely definitely made it across the pond Michael....leastwise last I checked Canada was on this side I liked it 3\4 time, a simple round (C Em F G with a bass walkdown will get you there) with a simple story about 2 kids growing up in the slums....one making it at the possible price of her soul... But then that is the thesis here Reaching back, how about The Archies and Sugar Sugar? An absolute monster summer hit years back that really had inane lyrics. It's heavy rotation pounded it into me as a young teen. Sad when the best lines are "yeah yeah yeah" Sugar, ah honey honey You are my candy girl And you got me wanting you Honey, ah sugar sugar You are my candy girl And you've got me wanting you I just can't believe the loveliness of loving you (I just can't believe it's true) I just can't believe the one to love this feeling to (I just can't believe it's true) Ah sugar, ah honey honey You are my candy girl And you've got me wanting you Ah honey, ah sugar sugar You are my candy girl And you've got me wanting you When I kissed you, girl, I knew how sweet a kiss could be (I know how sweet a kiss can be) Like the summer sunshine pour your sweetness over me (Pour your sweetness over me) Oh sugar, pour a little sugar on it honey Pour a little sugar on it baby I'm gonna make your life so sweet, yeah yeah yeah Pour a little sugar on it oh yeah Pour a little sugar on it honey Pour a little sugar on it baby I'm gonna make your life so sweet, yeah yeah yeah Pour a little sugar on it honey Ah sugar, ah honey honey You are my candy girl And you've got me wanting you Oh honey, honey, sugar sugar (Honey, honey, sugar sugar) You are my candy girl
If writing ever becomes work I think I'm going to have to stop
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John, I apologize for not even taking Canada into consideration when I made that statement! Of course Canada (and Mexico) are over the pond as well. Sugar, Sugar is a closet "like" for me as is most bubblegum, cuz that's when I started listening to radio (in '70 actually, not '69) and so even though it's pure fluff, it at least recognizes itself as such cuz as it calls itself the thing that a company called Bazooka usta sell. I see, your "Sugar. Sugar" and RAISE you one MacArthur Park. Hits by both Donna Summer and Richard Harris. Sugar, Sugar was popular with teens and pre-teens, and it's easy to understand as it's pure, clean fun. What demographic likes MacArhtur Park? Housewives who enter a lot of baking competitions? Obviously the song had a lotta fans in two different generations. I can see the "camp" being appreciated by Donna Summer's fans. And if I ever have the money, I'd love to pitch Shatner to do a "serious" cover of the classic. Can't you just imagine how fun it would be to hear him speak/sing: Between the parted pages and were pressed In love's hot, fevered iron Like a striped pair of pants
I am a big fan of Jimmy Webb, and Wichita Line is one of my top five all time songs, but I wince hard over many of the lines in MacArthur Park, finding it overall to be a slog for me to get through. Granted there's some beautiful lines in the song, like the whole soft middle section that begins with "there will be another song for me.." But overall it's pure melodrama, with an inane, proto-Stepford Wives chorus, where the worry over a melting cake is the image we're supposed to hold in our heads? Is that supposed to be a metaphor? Plus, it seems to change person from one line to the next, in the chorus: SOMEONE left a cake out in the rain I don't think that I can take it cuz it took so long to bake it...and I'll never have that recipe again..OH NO!!!!! Or maybe the singer just couldn't handle the thought of the fact he/she left the cake out, and couldn't cop to it, right away, and tried, for exactly one line, to pin it on someone else? Or was that an empathetic act on the part of the singer? Is he/she empathizing with the unfortunate cake leaver-outer and OWNING that action, even though it wasn't the singer's fault? SOMEONE left a cake out in the rain (who could've done that?...okay, Mike, become the baker..BE the baker...)) I don't think that I can take it cuz it took so long to bake it... ************************************************************* Spring was never waiting for us, girl It ran one step ahead As we followed in the dance Between the parted pages and were pressed In love's hot, fevered iron Like a striped pair of pants MacArthur's Park is melting in the dark All the sweet green icing flowing down Someone left the cake out in the rain I don't think that I can take it 'Cause it took so long to bake it And I'll never have that recipe again Oh, no I recall the yellow cotton dress Foaming like a wave On the ground around your knees The birds, like tender babies in your hands And the old men playing checkers By the trees MacArthur's Park is melting in the dark All the sweet green icing flowing down Someone left the cake out in the rain I don't think that I can take it 'Cause it took so long to bake it And I'll never have the recipe again Oh, no There will be another song for me For I will sing it There will be another dream for me Someone will bring it I will drink the wine while it is warm And never let you catch me looking at the sun And after all the loves of my life After all the loves of my life You'll still be the one I will take my life into my hands And I will use it I will win the worship in their eyes And I will lose it I will have the things that I desire And my passion flow like rivers through the sky And after all the loves of my life Oh, after all the loves of my life I'll be thinking of you And wondering why MacArthur's Park is melting in the dark All the sweet green icing flowing down Someone left the cake out in the rain I don't think that I can take it 'Cause it took so long to bake it And I'll never have that recipe again Oh, no Oh, no No, no Oh, no
Last edited by Michael Zaneski; 10/12/19 02:10 PM.
Fate doesn't hang on a wrong or right choice Fortune depends on the tone of your voice
-The Divine Comedy (Neil Hannon) from the song "Songs of Love" from the album "Casanova" (1996)
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Joined: Sep 2011
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the one song I particularly cannot stand is "My Way". But, I love just about everything else Sinatra does.
As for "Your Song", I loved it when it first was a hit, but it doesn't stand the test of time, I don't much care for it now.
And my fave Jimmy Webb song is "By The Time I Get To :Phoenix".
Such a brilliant lyric and melody. Trivia: I used to live close to MacArthur Park when it was a hit, so I've always related to it But, the park descended into a cesspool with narcotics about, and now with it being chained fenced off, and a police station dominating it ( but, someone told me recently the peddle boats, sunday concerts and koolness of the park is being revitalized, so I dunno ).
Last edited by Pat Hardy; 01/19/20 03:42 PM.
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I know a lot of singers that have done MacAurther's Park hate it because it's a bear to sing. I know, I've done it a time or three. It is another shining example of how all the lines in a song don't have to make sense, or be conversational, to make it a hit. My 2 least favorites of all time are Yellow Submarine, I threw a radio across the room because it played it one too many times; and Achy Breaky Heart, which I will always consider one of the worst country songs ever.
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