Originally Posted by Douglas Murphy
OH! This post? smile

This is one of the things I am looking for. What you have explained here is great. I, probably like many others, have to consider the cost and expertise needed. I use Band In The Box to create a base, then use Audacity to mix and play. From that, I can entertain myself and create something that is pleasing to my ears [I do not mind listening later to those songs I have done.] and decent enough to share.

So here I will ask you for your advice in improving vocals. I am slow so go slow and list it out any way you can that says something like, "First do this and then add that and etc..," smile

Thank you for chiming in Mike. "Advice is always welcomed.

Douglas


Hi Douglas,

Audacity appears to allow the use of audio effects and so is a good basic piece of multtrack recording software.

Your vocals are decent with an old school Pete Seeger-ish kind of flair, but do suffer from some pitchiness that could be dealt with by loop recording verse-by-verse several takes and then compositing and choosing the best bits. They aren't boomy or dull sounding so not much EQing or compression would be needed, not unless you remixed the music to be more impactful. A little mid-sized room reverb (set somewhere between 20-45% wet) would help give your vocals on a song like "Daisy May" for instance, a little sheen, applied on the vocal's channel. Less is definitely more, with reverb. The minute you notice it's there, it's probably too much, unless you're a Goth band, LOL...

How much energy one puts into making their song "great" is totally in relation to what one intends to do with it. My demo work gets all my skills thrown at them, whereas with my more personal work, it varies, but I do tend to take more risks and do more experimental stuff with my own music, library or otherwise.

One doesn't want to suck all the fun out of any of the work, though, and so it's often a compromise with the areas of recording art that are less fun than others, such as, for instance, mulling over "syllibants" that are too loud, etc..this is why folks use "de-essers" (or nothing) rather than dealing with each ess and tee seperately, on an individual basis (by simply lowering the volume on the ess or tee in question, using automated volume envelopes), though this latter way gets the best results..

Something we are just going to circulate among friends and stream on the Net might find us thinking "these vocals are just fine," and certainly, if that's true for a particular thing we're working on, then it's true, cuz we're the boss of our own stuff--even though we know that perhaps they could be better vocals with more work--it's always a kind of compromise. Sending stuff to publishers or making demos with the intent of having them "go someplace" entails a completely different mindset and approach towards the work, though.

Mike


Last edited by Michael Zaneski; 09/28/17 07:34 PM.

Fate doesn't hang on a wrong or right choice
Fortune depends on the tone of your voice

-The Divine Comedy (Neil Hannon)
from the song "Songs of Love"
from the album "Casanova" (1996)